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A collection of dark and fetish art of more than 40 contemporary artists from all over the world such as Zdzisław Beksiński, Nicoletta Ceccoli, Ray Caesar, James Jean, John Santerineross, Popovy Sisters, and Elizabeth Mcgrath.Gothic taste, decadence, doll-like and Lolita-esque style - the world of Aestheticism and degeneration - is supported by a wide range of people regardless of their age and gender. Wanting to expose this fantastical art not only to fans who already have a deep appreciation for that world, but also to a broader general audience, PIE International has published Japanese Erotica in Contemporary Art in September, 2014 and Erotica in Japanese Contemporary Art II in March of 2016. As these books were well recieved in the market, we now have this third volume Dark & Fetish Art.With these two volumes, we focused on Japanese artists, but in this third book featured are the artists from around the world.This book is divided into categories such as Fetish Art, Dark Art, Art Photography, and 3-Dimensional Art.
Both Layla and Autumn were best friends in London until Autumn ventured off to the states in search of fame and fortune. Autumn has become quite the dominatrix in a dungeon bondage club. Layla has flown over to visit her, and Autumn is fearful of what she may think. Forgetting momentarily that she stores shackles, cuffs, ball-gags, leather gags and rope in her hall closet, she puts Autumn's coat away while she is standing there. Rather than shock there is curiosity. "What's this for?" Says Autumn as she glances at the smooth leather and ropes within. Autumn decides to show her, as Layla is placed in multiple ties, each more strenuous than the other. Eager to play the dominatrix our beauties switch roles and Layla is then dressed in revealing but tight clothing. Now Autumn submits to Layla's painful ties. What a quick student! Autumn decides to ask if Layla could stay in the states awhile and perhaps she could get a position at the club. The states could use another eager and skillful British dominatrix!
According to the Kabbalistic tradition, by tying a red string around his or her wrist, the individual gains additional protection from the destructive powers of the Evil Eye. Features: 1.100% handmade. 2.Durable, soft and comfortable 3.Suitable for regular use. 4.Protection for the child against the evil eye . 5.Relieves stress and improves mental state. 6.It's a perfect gift for anyone. Package including: 12 x Cafurty red string bracelets 1 x nice organza drawatring bag Notices: 1.Lifetime Support Guarantee. 2.100% money back guarantee 3.For any possible defective items, please feel free to contact us, we promise you a quick response and a nice solution. Scroll Up & Click Add To Cart Now! You'll get a powerful protection from the evil eye.
A lone guardian angel wolf in a darkened forest spreads its newly-aquired wings and howls at the moon up in the night sky Lace Layered Cap Sleeve Top Black is made of mainly 95% Viscose 5% Elastane, Jersey using skin friendly, Azo-free, Reactive dyes.
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Sexually curious adults can learn how to enjoy bedroom bondage in an easy step-by-step fashion while still being tasteful, playful, and authentic Rope bondage is not just about tying someone up; it is an opportunity for sensuality, creativity, playfulness, connection, and passion. Bondage artist and educator Lee Harrington takes you on a journey through easy step-by-step ties and exercises for bringing you and your partner closer together through this beautiful art form. The second book in the Shibari You Can Use series, More Shibari You Can Use picks up where the first book left off, with all new ties in a playful, down-to-earth, and engaging voice. But it’s about more than the bondage. This time you also get a chance to connect more with your partner through a variety of exercises that explore touch, dominance and submission, intimacy, and trust. With beautifully shot images by RiggerJay, this guide offers intermediate techniques for those ready for a challenge, broken down into clear directions for new and experienced “riggers” alike. Find techniques for learning rope bondage negotiation, speed restraint (Texas handcuffs and speed-release corsets), intricate confinement (the reverse box tie and the woven head cage), beautiful erotic rope (from the Triskelion crotch rope...
A lone guardian angel wolf in a darkened forest spreads its newly-aquired wings and howls at the moon up in the night sky T-Shirt Black is made of Top Quality 100% Cotton, Jersey using skin friendly, Azo-free, Reactive dyes.
This chained, enslaved angel sits with her head hung in sorrow in the middle of a pentagram, surrounded by skulls of the dead. Lace Layered Viscos Blk is made of mainly 95% Viscose 5% Elastane, Jersey using skin friendly, Azo-free, Reactive dyes.
The Leatherman's Protocol Handbook is not only about some of my personal journey since 1968, when I was collared to Master in "Old Guard" days, but also the changes that have occurred through the decades since then. A lot of our "Old Guard" leather history is documented in this book. It contains the protocols, positions, hand signals, and defines the differences between rituals, etiquette, and protocols. Included in the book are copies of ceremonies such as the gauntlet ceremony, various collaring ceremonies and the ultimate cover ceremony of Jeffrey Alan Payne, IML 2009. This book is not meant to be the bible of protocols but the documented history of my life with the "Old Guard" protocols that I personally can attest to through my journey. It will define the various leather titles and how they were achieved during those early days in "Old Guard". Much of this book has never been written about but only talked and fantasized about. Now, here is the documentation of what I lived for all to learn from. It tells of the hierarchy that once existed among the leather organizations. I discuss how to train a boy and how the "Old Guard" shows respect even to today's title holders and events. It also explains many of the military to leather protocols and compares them so all can understand...
Long considered a figurehead of family values and wholesome adolescence, the Disney franchise has faced increasing criticism over its gendered representations of children in film, its stereotypical representations of race and non-white cultures, and its emphasis on the heterosexual couple. Against a historical backdrop of studio history, audience reception, and the industrial-organizational apparatus of Disney media, Seán Harrington examines the Disney classics through a psychoanalytical framework to explore the spirit of devotion, fandom, and frenzy that is instilled in consumers of Disney products and that underlie the fantasy of the Magic Kingdom. This compelling study demystifies the unsettling cleanliness and pretensions to innocence that the Disney brand claims to hold.
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